Monday, 4 February 2013


Tolpava Koothu
Tolpava Koothu is the unique shadow puppet theatre form of Kerala.
It is an ancient peculiar ritualistic art form dedicated to Bhagavati, worshiped by the people as the Mother Goddess.
As a ritualistic art form, Tolpava Koothu is performed in more than 100 temples all over Palakkad, Trichur and Mallapuram district during the months of January to May at the especially constructed theatre called Koothu Madam. Depending on the temple tradition, the performance lasts 7, 14, 21, 41, 71 or 91 days.

The performance starts at about 10 p.m. and goes on till day-break. It will be enjoyed by the general public as a popular entertainment while it will be received as a religious offering by the devotees.

The puppet plays are based on selected verses from the famous Tamil Epic 'Kamba Ramayana'. The language used is a dialect of Tamil with an admixture of Sanskrit and Malayalam words.

While formerly the puppets were made out of deer skin, the use of buffalo and ox skin is now commonly used. The puppets are held by a thin stick in one hand while the limbs are manipulated by a thinner stick held in another hand of the puppeteer.

About 160 puppets are used for the complete version of the "Kamba Ramayana", representing 71 characters in four main categories (sitting, standing, walking, fighting) besides puppets to depict nature, battle scenes and ceremonial parades.

The screen is illuminated by 21 lighted lamps, made out of coconuts cut in half, filled with coconut oil, provided with cotton wicks and placed equidistant from eachother on the Vilakku-madam (wooden beam) behind the curtain.

SeRa
zhupara, a cylindrical drum made out of jack-fruit wood and covered with calf-skin on both ends and Ilathalam (cymbals) are the main accompaniments. Shankha (conch), Chenda and Maddalam (drums), Chengila (gong) and Kurum-kuzhal (a short pipe) are further instruments to be used on special occasions.

Before the performance, an oil lamp (Thuku-vilakku) is hung in front of the screen and is lighted from the temple lamp placed in front of the deity. The Thuku-vilakku is also the source of the lightening for the performance. The idea is, that the light for the performance comes from the temple and is therefore propitious.
A piece of black cotton, stitched along with a piece of white cotton, is used as the screen, the upper white portion representing the sky and the black bottom portion representing the earth.

The troupe is made by at least eight artists. All the puppeteers have to be experienced in all branches of knowledge, as the presentation of the story will be full with references to present events and wisdom.

The troupe at Koonathara, founded generations back and revived by the renowned and award winning Tolpava Koothu artist late Guru Krishnankutty Pulavar, is now the only surviving family in Kerala to preserve the art form and train new artists in the traditional repertoire as well as in new productions. The training includes the making of the puppets also.

While during the season the artists are fully engaged to present the art form in its ritualistic context, the Koonathara troupe has started to explore the aesthetics of the art form outside its ritualistic context by introducing new plays and new characters based on contemporary issues and performed outside the Koothu Madam.

The leader of the present troupe is K.K. Ramachandra Pulavar, eldest son of the late Guru Krishnan Kutty Pulavar, assisted by his brothers K. Viswanatha Pulavar and Lakshmana Pulavar.

Koonathara is a village in Palghat district in the middle-east Kerala and close to the world famous ‘Kerala Kalamandalam. Deemed University for Art and Culture “ in Cheruthuruthy.
Located about 105 km from the Cochin International Airport it can be reached by bus or car from the railway junction Shoranur (7 km)

Krishnankutty Pulavar Memorial Tolpava Koothu & Puppet Centre
Director, K. K. Ramachandra Pulavar
P.O. Koonathara, Shoranur-679523, Palakkad District, Kerala / India
Phone: 0466-222 7226, Mobile: 984 653 4998, 953 963 6134 ,
WEB: puppetry.kerala-india.org, tholpavakoothu.org EMAIL: puppetry@mykerala.net




Tholpavakoothu




                  Rajeev. k making puppet in the oraganization
Krishnankutty Pulavar Memorial Tolpavakoothu& Puppet Centre
Centre for Performances & Research in Traditional Shadow Puppet Theatre
Director: K.K.Ramachandra Pulavar

P.O.Koonathara, Shoranur,-679523, Kerala, India|+91 466 222 7226, +91 984 653 4998, +91 953 963 6134 |puppetry.org.in |tholpavakoothu@gmail.com |puppetry@mykerala.net
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Kerala has made a notable contribution towards maintaining and enriching the cultural heritage of India. It has evolved through the centuries a rich and diversified culture which has nourished and become an integral part of culture of India as a whole.

            Most of the Indian art forms their birth and growth to religion. They are therefore intimately connected with modes of worship. In ancient Kerala the religious practices of the people and their moral mode code were based upon derived from Dravidian culture. But gradually new religious practices and ideals entered Kerala from the North. The result was a blending of the Dravidian culture of the south and the Aryan culture of the north which, it is believed, took place about three or four centuries before Christ as a result of this impact of Aryan religion and culture on the indigenous Dravidian culture of Kerala, Hinduism assumed a new form in Kerala. The influence of this blending of the two cultures, Aryan and Dravidian can be seeing in religious life of people but also in the arts.

Krishnan kutty pulavar memorial Tholpavakoothu & puppet centre is formed after the death of great guru shri: K.L.Krishnan kutty pulavar before its death it is known has Tholpavakoothu & puppet centre. During the period of guru Krishna kutty pulavar troupe is well known in the field of puppetry in kerala, now also keeping the traditional style of narrations keeping in the field of puppetry, during the 1979 troupe is visited aboard India with this performance


Aims & Objectives

Promote puppetry in the tradional style
To encourage the new generations to puppetry
Keep the Tholpavakoothu in the traditional style in the temple premises
Help & support to the artist
Conduct puppetry festivals, workshop, and seminars in kerala
 Conducting camps Exhibitions on puppetry
Creating new stories through puppetry